In 1987, the Stock/Aitken/Waterman ‘Hit Factory’ was cementing its domination of the pop scene. The most vibrant sister act their PWL studio worked with was... not The Reynolds’ Girls but the vivaciously fizzy Mel and Kim Appleby, whose debut FLM (Cherry Red) is enjoyably reissued. Londoners Mel And Kim took their cues from US rare groove and Italo disco, and unlike most PWL acts... [read the full article]
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